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The Guardian

by Matt Kaye

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1.
The Guardian 03:15
Remarkably smart and remarkably stupid I've seen it all in my time And when being asked which one I prefer I answer with tobacco and mime You have good taste, I haven't seen many Trout Mask Replicas in hands Of highly suburban, shirt-matches-trousers Bespectacled ornery men I've walked all your streets, I've seen all your ZOOs, I met a songwriter or two I've seen all the outtakes from Danny Kaye movies But they really don't look good on you If you locked yourself in this room by the pool You should've known better than that You say you'll be bigger than Baldensperger But I guess you know that he's dead So when you're looking for gold in the cities Carved in perpetual bronze You must understand that I can't help you Or your polite lot of loved ones I can't get bands to sing at your weddings You'll have to pay them a fee You'll probably say what kind of a guardian are you But then, what do you know about me Remarkably smart or remarkably stupid I don't need much time to decide I want your breakfast, I want your lunch And by the end of this cycle, your wife You better hand me your manuscripts, boy You better hand me your Strat If you by this time haven't amounted to nothing We might as well leave it at that So when you're looking for gold in the cities Carved in perpetual bronze You must understand that I can't help you Or your polite lot of loved ones I can't get bands to sing at your weddings You'll have to pay them a fee You'll probably say what kind of a guardian are you But then, what do you know about me
2.
The ambulance wants to be heard Over whispers of suburban misery Look how those houses have aged And railroad still crosses the highway Where you would least expect it And trees look like Donovan Leitch Look at these hands on pianos In those nightclubs with five people listening And the band's getting up to five thumbs The rain is still playing the postman And someone's back from another delivery Walking through this city on crumbs I have my fears, I admit it Yes I dread the ambulance passing With sounds that just pierce thru my bones But nothing disturbes me as much as The silence from afore-mentioned railroad With no trains, just time movin' on
3.
Thank you for your time, they said Now you're eating into ours Was it just a joke? More likely Their manifest of power They know how to play the organ They have all the dough What you got is rhythm and a copy of Hunting High And Low On your desk you left your watch Besotted with its job Someone will come by and trash it Causing it to stop Someone will come by and trash it Causing it to stop Johnnie Ray was singing high I am singing, too Walking in the rain or not Falling into you City statues smile their smiles And Macheath's back in town Talk him into giving you His England for your pound Everybody wants to see Love letters in the sand Write a few, express yourself Before you pitch your tent You can bark and you can bite And curse the Tower Guy But there's no future-bending man On a flaming pie You can buy yourself a barrel Be Diogenes Do The Pony or some other Form of expertise Do The Hucklebuck or else Andres-Valdes your mime You can always sing in church Thank you for your time
4.
Things 03:19
Things that I endure Have cut their cords before I'm forbidden to come in I can't trust them anymore Trains have left this town And I'm no longer here Casey Jones is dying Of this I have no fear And I'm tossing and I'm turning And the session is adjourning And the judges are not guilty After all Things that I endure Have sipped their alcohol They smoke what they can get In hope that they grow tall But trains have left this town And fog is coming in And I don't understand Its stern discipline And I'm tossing and I'm turning And the session is adjourning And the judges are not guilty After all
5.
Night never comes without agenda She chooses tasks so carefully She takes old dreams down to the gallows She makes new ones a misery You say you feel the heat of footsteps Turning your feet to chunks of coal You say there's too much space around here I don't say anything at all I'm not all smiles, but you can see that I don't wear top hats anymore I wear umbrellas and bright blazers I know all stanzas to Milord And I don't want to stand before you If your shadows don't know what I mean I'll disappear like a tamed wildflower If you can tell me where you've been What painting have you been a part of What nightmare did you coproduce And I must know if my old letters Brought some old dandy a mess of blues I've been through divine interventions I've broken lots of crystal stuff You've done your lonesome time with china And now you think that that's enough And I don't want to stand before you If your shadows don't know what I mean I'll disappear like a tamed wildflower If you can tell me where you've been What painting have you been a part of What nightmare did you coproduce And I must know if my old letters Brought some old dandy a mess of blues
6.
Meet the baker, he's up early Throwing the bouquet. Meet the banker, he's just signed his Compliments away. Everybody's quiet while they're Figuring it out – Is she getting married, or else – What's it all about? Meet the pastor, he's too young And Jesus makes him think Are those sandals or is he only Ordering a drink? Drink it up and make a living Benefit on doubt – Is she getting married, or else – What's it all about? Decorating the gazebo Humming Pat Boone songs – Postmen come and postmen go And they all speak in tongues. They are trained to throw newspapers But they've never vowed – Orbison just taught them how to Go out with the crowd. Meet the parents and the family Meet the best men, too. They are frozen until dusk But what's it all to you? Go to sleep, don't question them Are they ashamed or proud. Now, is she getting married, or else – What's it all about?
7.
Traffic lights don't go to school or else I'm misinformed Red lights buskin' and green ones howlin' – talk about the norm Trees along the street are haunted, but who they're haunted for Would they move away from here if you just closed the door
8.
Nothing is stronger than additional layers Of horn-rimmed glasses that can't sleep at night Baskerville dogs have been put out, don't worry They shouldn't wake up, but the old landlord might Better forget what's in it for him and Better forget what it all means at all Long years have passed since we've walked down that hall, dear Since all these old men were on our beck-and-call We've burnt down the walls and made us some paper We've written some stuff for King Lear to read He's better, you know, his obsession with horses Has burnt to cinders in our time of need Better forget what's in it for him and Better forget what it all means at all Long years have passed since we've walked down that hall, dear Since all these old men were on our beck-and-call Blessings to those who can ride without armor Blessings to those who can only assume Summon Grenouille, let him bow down before us And tell us the essence of his sweet perfume Better forget what's in it for him and Better forget what it all means at all Long years have passed since we've walked down that hall, dear Since all these old men were on our beck-and-call
9.
You'll never know what's going on Inside those mangers in the dark Do herald angels smoke cigars If so, who shot the northern star The snow that reeks of silence now Has gone from preciousness to wreck And all the love that he endured Will turn to hatred in a sec The shops just disilluminate From all the dark nightwatchman stares And all the million dollar brats Suddenly turn to billionaires The church bells all seem out of tune But now that's all they can afford That being said, it's hard to ring "Where Could I Go But to the Lord"
10.
Menuet 03:15
The carousel is honkin' A haunting menuet The happy Jack is yearnin' But the crowd's already dead Ya ever seen a man with No future in the mail The Platters may be singin' But that ship ain't gonna sail You see, nobody's ringin' At my front door anymore Company's overrated Irma la Douce is still a whore A woman, pretty lonesome, Is tryin' to sneak a smile But Frankie killed her Johnny And went out with Nellie Bly The carousel is honkin' But that's not where it's at The cole is in the bathroom The king's without a Nat The good ol' times are gone now The rhyme's been overused Look at them lonely people Still dancin' to Blue Suede Shoes The carousel is honkin' A haunting menuet The happy Jack is yearnin' But the crowd's already dead A woman, pretty lonesome, Is tryin' to sneak a smile But Frankie killed her Johnny And went out with Nellie Bly
11.
Drop to your knees in slow motion Especially at this time of day Drop to your knees in slow motion Drop to your knees and obey The one next to you must be quiet The one in the mirror is mute Sing us a song of cicadas Let's see if you're any good I own a few English castles And I give birth now and then I know a lot about taming Your lot of conspicuous men The one next to you is courageous The one in the mirror is lame Sing us a song of cicadas Cry for your fortune and fame Drop to your knees in slow motion Drop until someone says »Cut!« Later we'll fire your double Later we'll fire a lot The one next to you never bothers The one in the mirror breaks free Listen to the song of cicadas It fades out mysteriously
12.
Wrong Dreams 02:20
Wrong dreams Oh they should've been yours You sleep like a baby, you show no remorse I'm tossin' them round, but they keep comin' back It's quiet tonight, and peace is somethin' I lack With wrong dreams They never ask when they enter They smell like an old fighter when they should've been gentler I'm shooin' them off, but they turn deaf to my pleas Well I just don't know if I can keep it like this With wrong dreams And no excuse after all For gettin' stuck in narrations just like Robert Duvall But the deeper the voice, the merrier they are, And while it's freezing outside, well it's colder by far With wrong dreams

about

Released by Kulturni center Maribor/Akord Records, 2018
You can order the vinyl at zalozbaplosc@gmail.com

credits

released August 1, 2019

Lyrics, music, vocals, acoustic & electric guitars, harmonica: Matt Kaye
Piano Blaž Jurjevčič
Bass: Vlado Pirc
Drums: Bogdan Turnšek Poli
Back vocals (Small Town Wedding, Close the Door, The Song of Cicadas): Oto Pestner

Recorded at the MARS Studio, Trebnje, spring/fall 2008
Recorded by: Andrej Mežan
Additional recording, mix and mastering: the Attic studio, Ljubljana, August 2018
Recorded, mixed and mastered by: Jure Matoz

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Matt Kaye Ljubljana, Slovenia

Born in 1975 in Maribor, Slovenia (EU). He holds a master’s degree in comparative literature. He published his first book in 1988 and started combining poetry and music into a singer-songwriter routine in 1992. He's a member of SLO National Writers’ Association, National Literary Translators Association, PEN and MIRA. ... more

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